Fuqua explained those hurdles, and how they enhanced The Guilty’s finished product, thusly: This led to the forced rhythm that Jake Gyllenhaal discussed in our interview, which was in part thanks to the technical challenges that were inherent to this strategy. With The Guilty assembling an impressive cast throughout the world, the virtual meeting platform that’s become shorthand for the very medium played an important part in Antoine Fuqua’s vision. In came the technological marvel that the world has come to know as Zoom. That plan, which sounds similar to how the Apple TV+ series Mythic Quest executed a huge Rube Goldberg gag for its quarantine episode, was never meant to be. Originally Antoine Fuqua had intended on sending “special boxes” to the film’s vocal cast so they could capture their lines, with the playback being fed to Gyllenhaal on set. The plan originally laid out in The Guilty’s press notes sounded like a more traditional strategy to craft the 911 calls that make up Jake Gyllenhaal’s field of play as Joe Baylor. For a normal production, that’s already an intense experience, but for one that threw technology into the mix, it was even more stunning. ![]() That schedule stretched to 11 days, which saw Gyllenhaal looking to have 15-20 page chunks of dialogue memorized for each day. On top of shooting their film during the COVID-19 pandemic, the remake of the 2018 Danish film from director Gustav Möller was initially intended to be shot over the course of five days. Jake Gyllenhaal’s response, as well as some further explanation from director Antoine Fuqua, came out of my inquiry about what luxuries both of these collaborators missed thanks to The Guilty’s tight shooting schedule. But there was never a creative experience where I had to do that. I think we’re starting to understand that, because we’re spending a lot more time interacting with each other in this way. Even when we said hello at the beginning of this interview, I knew I couldn’t say hello at the same time as Antoine would say it, because he wouldn’t be heard. If you talk about luxuries, the luxury of being in person, particularly when creating rhythm with another actor, is essential. Gyllenhaal himself, which he admitted during our interview on the film’s press day: ![]() No one knows about the freshness of Zoom more than Mr. But just as the story of Joe Baylor’s mysterious circumstances feels ripped from the headlines, the tales of how this movie was made have the same immediacy. Seeing as the film is a single location thriller, with most of its cast acting through audio, there still may have been chances for the execution to find unique ways of glitching out. ![]() If The Guilty was just a typical movie made in a “normal” time of production, the technical obstacles might not have presented themselves as severely.
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